Then comes the other twist: the angel is their unborn child.Įventually, the requisite happy ending leaves nobody dead. Then comes a twist: they were pregnant and lost the baby before they died. At first, this provides the female lead with a chance to experience a world in which her love interest is still alive. In A New York Christmas Wedding, the standard 'this person is really an angel' trope comes into play, mixed with the alternate timeline hijinks of A Christmas Carol. If a typical romance movie is like a hot bath, a Christmas romance is like a bath in hot chocolate. If that's not stupid enough for you, then how about last year's A New York Christmas Wedding? Christmas romance movies have a particular weight of expectation on them to provide both the warmth of a classic, paperback romance and the saccharine joy of Holiday magic. Related: Greenland's Plot Holes Are Too Ridiculous to Ignore Calling this 'cozy' might sound like a stretch to non-romance lovers but survival plots such as this are practically a subgenre of their own the comfortability of a fresh start offsetting the hell that their female survivors go through to reach it. aside from the very handsome and very available single father right on her doorstep. The 2013 Nicolas Spark movie, Safe Haven, is a pretty solid tale of recovery and romance, as its title implies, which transports a woman fleeing an abusive partner into a quiet, beach-side life of seclusion. Wild Mountain Thyme isn't the first offender, either. For by-the-book romances, they can completely break the cozy spell that most viewers want cast over them. No matter the genre, these out-of-left-field twists can completely tank a narrative's credibility if the audience can't trace them back - Whodunnit-style - through everything that came before. All it does is make for some punny headlines in the media. It also adds nothing of particular substance to the film, nor is it explained why he believes he's a bee. But none of this prepares you for the true WTF-ness of Wild Mountain Thyme's big reveal. There are whiffs of this peculiar characterization earlier in the film - and Rosemary even calls herself a swan, though not in the literal way Anthony means.
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